Every Secret Thing MTI, by Laura Lippman
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Every Secret Thing MTI, by Laura Lippman
Ebook Download : Every Secret Thing MTI, by Laura Lippman
From critically acclaimed, multiple-award winner Laura Lippman comes a riveting story of love and murder, guilt and innocence.
Two little girls banished from a neighborhood birthday party find a stroller with an infant inside on an unfamiliar Baltimore street. What happens next is shocking and terrible, causing the irreparable devastation of three separate families.
Seven years later, Alice Manning and Ronnie Fuller, now eighteen, are released from "kid prison" to begin their lives over again. But the unanswered questions about the original crime continue to haunt the parents, the lawyers, the police, and all the adults in Alice's and Ronnie's lives. And now another child has disappeared, under freakishly similar circumstances.
Every Secret Thing MTI, by Laura Lippman- Amazon Sales Rank: #1016779 in Books
- Brand: Lippman, Laura
- Published on: 2015-06-02
- Released on: 2015-06-02
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.01" w x 5.31" l,
- Binding: Paperback
- 448 pages
From Publishers Weekly With this engrossing mystery/suspense stand-alone novel, Lippman, winner of the Edgar, Shamus and Agatha awards for her series featuring likable heroine Tess Monaghan (Baltimore Blues; Charm City; The Last Place) solidifies her position in the upper tier of today's suspense novelists. Two 11-year-old children-good girl Alice Manning and bad girl Ronnie Fuller-wander homeward in Baltimore after being kicked out of a friend's pool party. They discover a baby in an unattended carriage by the front door of a house and steal it away. The reader watches in horror, knowing what will come next. The baby dies, and Alice and Ronnie are imprisoned for seven years. The mystery involves which girl did the killing, and which was the dupe. After release from prison, their blighted lives move inexorably toward further horror and tragedy. Lippman slowly relinquishes the facts of her story, building suspense as she reveals the past. Her well-honed prose is particularly suited to descriptions that impart more than just appearances: "Holly was one of those people who seemed to be put together with higher quality parts than everyone else"; "...there was something menacing in the very fineness of his bones, as if a bigger boy had been boiled down until all that remained was this concentrated bit of rage and bile." With this book, much darker than any in her past series, Lippman shows she is an author willing to take risks in both writing and storytelling. Her deft handling of this disturbing material is sure to increase the breadth of her readership.Copyright 2003 Reed Business Information, Inc.
From Booklist Lippman has won just about every mystery writing award there is--the Edgar, the Agatha, the Anthony, the Shamus, and the Nero Wolfe--for her Tess Monaghan series. This is her first stand-alone mystery, one in which the detectives are consigned to bit parts. The fact that the police here do little save go through the motions underscores the fatalistic feeling at the core of this dark domestic tragedy. Lippman writes the kind of opening that should make readers feel they're following helplessly as a nightmare slowly unfolds. Two 10-year-old girls, bounced from a birthday party for bad behavior, discover a baby in a carriage on the sidewalk and deem it necessary to "save" her. Lippman leaves the reader knowing something terrible happened but unsure what it was until the narrative progresses to seven years later, when the two girls are released from prison and return to their homes, six blocks away from the house to which they brought untold grief. The girls have to adjust to a new prison of neighborhood suspicion. Then, as the girls make somewhat of a new life, children start disappearing, and then reappearing, until one toddler is well and truly missing. Lippman doesn't write a standard whodunit here but plays with reader expectations of what should happen next. A startling page-turner. Connie FletcherCopyright © American Library Association. All rights reserved
Review “Laura Lippman can speak in any voice....This may be the best book I’ve read all year.” (Charlotte News & Observer)“...a chilling study of mothers, daughters, love, and murder....Lucid, tight, and compelling.” (Kirkus Reviews on Every Secret Thing)“This is a standout. And the story of children in jeopardy and innocence lost is sadly all too timely.” (Orlando Sentinel)
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78 of 83 people found the following review helpful. Excellent Stand-Alone Mystery By Craig Larson I just finished Laura Lippman's latest (how's that for alliteration?) and what a stunner! _Every Secret Thing_ is a stand-alone novel, not part of the Tess Monaghan series, and it's more of a "portrait of a community" sort of a book than an outright mystery, although it certainly has a strong mystery driving the plot. I'd hesitate to say "breakout book" because I think she broke out long ago, but as I read, I couldn't help but compare the experience to that of reading Dennis Lehane's _Mystic River_, which I still firmly believe is one of the best American books of the last ten years. And I do think that _Every Secret Thing_ is on par with that book.The story is narrated from multiple viewpoints, including those of a pair of now teenage girls, just released from juvenile detention after serving seven-year sentences for their parts in the kidnapping and death of a baby, the granddaughter of a locally-famous black judge. Ronnie Fuller and Alice Manning have had their lives irrevocably changed, and when another child of mixed race disappears soon after their return home, the girls become prime suspects, after their names are leaked to the press and to the police. At first, we feel sympathetic toward poor Alice, the "good" girl whose life was ruined by the inexplicable actions of the "bad" Ronnie, but as the story goes on, our sympathies are drawn more and more to Ronnie as the secrets of what happened seven years before, and what is happening now, are revealed.Set in Baltimore, the story is as much about developing character studies of the girls, their families, the police, the press, and so forth, as it is about solving the mystery. The book also presents a portrait of the racism and divisions inherent in society, not just black vs. white, but rich vs. poor, and so on. There are great passages about the struggles faced by homicide detective Nancy Porter, who found the dead baby many years ago and who is now assigned to the new investigation, that are worthy of _Homicide: Life on the Street_ or _The Wire_. Lippman draws deft portraits of both Sharon Kerpelman, the public defender who feels she failed Alice in the earlier case, and Mira Jenkins, the reporter who sees this story as her chance to "move downtown." And Cynthia Barnes, the mother of the murdered baby, is a fully-shaded character who sees the possibility to get some sort of revenge on the girls, who she feels should have been tried as adults.This is a gripping story, full of tension and emotion. It has moments of sadness and moments of humor. It's a great book by a great writer and I'd be surprised if it isn't nominated for the major awards in the field this year. Very highly recommended.
21 of 21 people found the following review helpful. An American Ruth Rendell. By E. Bukowsky When I picked up "Every Secret Thing," by Laura Lippman, I expected nothing more than a formulaic novel about child abductions. Much to my surprise, this book turned out to be a deeply psychological page-turner with marvelously descriptive writing, dry humor, and intricate plotting. Now that I have finished the book, the highest compliment that I can pay to Ms. Lippman is that she reminds me of the great British novelist, Ruth Rendell. Why? Rendell has never been satisfied with the standard whodunit formula. She likes to examine the unexplored dark corners of the human psyche and the mystery is not always the centerpiece of her books. The people are."Every Secret Thing" begins with a tragedy. A little girl named Olivia Barnes is kidnapped and, several days later, she is murdered. Two eleven-year-old girls named Ronnie Fuller and Alice Manning are charged with the crime, and they spend seven years in juvenile detention facilities. When they are released, Ronnie and Alice are young women of eighteen. Before long, when another little girl named Brittany goes missing, Ronnie and Alice are once again under suspicion.There are so many things to praise about this book that it is difficult to pick one, but above all else, the character development is uniformly outstanding. We get to know each major and several minor characters intimately, as if they were our own neighbors. Lippman gives us a glimpse into the minds of Ronnie and Alice, two unhappy and lonely misfits with a tenuous grip on reality. We become well acquainted with Helen Manning, Alice's narcissistic and foolish mother, Nancy Porter, the cop who found Olivia's body and has been haunted by the case ever since, and Cynthia Barnes, Olivia's bitter and grieving mother whose life is devoted to seeing Alice and Ronnie destroyed. That the two girls responsible for killing Olivia should be set free to walk the earth is simply not an option for Cynthia, who has powerful political connections and is used to getting what she wants.As the story unfolds, a tale of psychological horror emerges that is truly chilling. When I turned the last page, I knew that I would be thinking about this book for some time to come, marveling at how Lippman mines so many themes so effectively, and how she makes us care deeply about the outcome of her story. Don't miss this unforgettable thriller.
25 of 31 people found the following review helpful. Was Not Left With a Good Feeling By Laura Christine Ms. Lippman is a talented writer that is capable of taking you along for a ride.I appreciate a good plot twist as much as anyone, but when this novel ended I felt like I had been duped. (I am not the type that necessarily tries to solve the mystery as I am reading, so yes, it is possible to suck me in.)It seems that Ms. Lippman used her talent to play on the reader's sympathies. I walked away from this book feeling like I had rooted for the wrong team.While I won't deny the author's skills as a novelist, this was not a feel-good experience.On a constructive note, I would suggest Lippman's "What the Dead Know". While WTDK is not entirely uplifting, it is a twisting novel that succeeds in creating some sense of resolution and reconciliation in the end.
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